Been super busy, but was able to get this done before Christmas. Work for my Aunt & Uncle.
All the paper came from a few sheets of the "Perhaps" line by Basic Grey. More detail on my Flickr stream...



I took Greenfield and National from Highway 100 to 1st street the other day, and drove by La Perla on 5th. I've never eaten there, but I must have driven by it before, right? Maybe not. I was struck by the nice cream city brick the place was, and the black trim they used to accent it. Just gorgeous. Then I got to thinking about how nice of a color palette that makes. I'd like to try and emulate it in some of my pieces, but I guess I'll just have to wait until I have the right ones to do it with :D What could be more Milwaukee than white brick, right?
PS- I love love LOVE the Joseph & Vera Zilber Building (Hillel Center)- absolutely breathtaking in person.


I'm starting to think that a great pinnacle in the illustrating career would be to work for Penguin books. The history of class and style are so iconic and have even had a recent internet design meme revival that the Penguin Logo is quite hip (if it hasn't always been). Pearson has an awesome portfolio site, and I'm a huge fan of the collections that he has done such as the Great Ideas, Great Loves, or Great Journeys in which there are 13 or so books to a set, and he sticks with a monotonous color scheme for each set. Just Awesome.


Have I mentioned how much I've been getting into Letterpress lately? The original way that print was put to paper, the hot metal typefaces were just supposed to graze the paper and leave the print. A resurgence in the art has given rise to many small printing firms rededicating their presses to heavily indenting the paper, adding textures and a glorious touch of panache to thicker (160 lb) papers. The simplest is to have one color presses, that way the paper only needs one pass through the press, and one die-cut plate for the image. Studio on Fire, based in Minneapolis, does a lot of their work in 4-color pressings, and it turns out phenomenal.

